EnoArts - Fine Art by David Haig Alexander

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CELEBRATING 25 YEARS OF ACHIEVEMENT IN THE FINE ARTS

<h3>I transform perception through contemporary myth-making.</h3>I create visual systems in which familiar motifs acquire new meaning, inviting viewers to become conscious of how belief is formed.This is not a slogan. It is the thesis of the work.My business is not simply creating, exhibiting, and selling artwork. Those are the visible activities. The deeper work is constructing visual encounters that change how people see, remember, interpret, and believe.I use painting, drawing, sculpture, collage, language, and interactive media to build contemporary myths from a recurring symbolic vocabulary: figures, speech bubbles, flowers, stars, platforms, pixelation, mushrooms, stacks, fragments, and other charged visual forms. These motifs are not fixed symbols. Their meanings shift through context, repetition, sequence, material, and viewer participation.A flower may become beauty, mortality, data, hope, grief, or regeneration. A speech bubble may become voice, absence, doubt, confession, performance, or presence. Pixelation may become technology, memory, fragmentation, distance, or the instability of identity. The painting becomes a place where these meanings are activated.My work does not ask viewers to accept a single story. It asks them to notice how stories become believable.That is where perception becomes myth. That is where myth becomes belief. That is where the artwork does its work.<h3>Bio</h3>David Haig Alexander transforms perception through contemporary myth-making.Working across painting, drawing, sculpture, collage, mixed media, and interactive forms, Alexander creates visual systems that examine how identity, memory, technology, and systems of meaning shape human experience. His work investigates the relationship between images and belief, asking how stories become accepted as truth and how familiar motifs acquire new meaning through context, repetition, and viewer participation.Alexander earned an MFA in Fine Arts, with a concentration in painting, drawing, and sculpture, from Tyler School of Art, Temple University, and a BFA in Fine Arts from the School of the Art Institute of Chicago. For more than twenty-five years, his work has been exhibited in Washington, D.C., New York, Philadelphia, Chicago, Los Angeles, and other locations.His major and developing bodies of work include The Algorithms, Floral Algorithms, The Learning Platforms, The Commons, The Stacks, Recursion, Les Grandes Allégories, Les Petites Allégories, Felt Series, Trompe L’oeil, Portraits, Early Works, and Works on Walls. Across these series, Alexander uses recurring motifs such as figures, speech bubbles, flowers, stars, platforms, pixelation, stacks, and symbolic fragments to build an evolving visual language.Alongside his studio practice, Alexander spent more than a decade working in information architecture, user experience, digital strategy, interactive media, and product innovation for organizations including Marriott International, Sony Pictures Digital, Toyota Motor Sales, and the Smithsonian American Art Museum. This professional background informs his artistic interest in systems, interfaces, communication, perception, and the construction of meaning.Based in the Washington, D.C. region, Alexander is the founder of EnoArts, an artist-led studio and platform for the creation, documentation, presentation, and collection of his work. His practice bridges the traditions of painting, sculpture, allegory, and symbolic image-making with contemporary questions surrounding technology, communication, belief, and human interaction.

WHAT I DO

BUY IMAGES / SUPPORT ME https://linktr.ee/ksushlapush

I transform perception through contemporary myth-making.David Haig Alexander’s multidisciplinary work examines how identity, memory, and technology shape human experience. By interrogating the mechanics of belief, his art explores how narratives become accepted as truth and how familiar motifs are redefined through context and viewer participation.

ABOUT DAVID

Star for Sale, acrylic, ink, paper, collage on canvas, 48 x 66 in, 2022-2025

Standing on the Moon, acrylic, ink, paper, collage on canvas, 48 x 66 in, 2023-2025

Timing is Everything, acrylic, graphite on paper, 33 x 15 in, 2020

Eve02, acrylic and graphite on paper, 27 x 12 in, 2020

The Peppermint Trail, acrylic, ink, paper, collage on canvas, 48 x 36 in, 2018

FEATURED WORK

www.sensoryarthouse.com - Part of one of my acrylic paintings called Gamma(γ)#93. See the full collection at: www.sensoryarthouse.com/collections/gamma Happy to produce custom sized images from original photographs for licensing in projects, should this sample be close to what you are looking for! Contact us at sales@sensoryarthouse.com or on instagram @sensoryarthouse

Landscape of the Moon's First Quarter, 1943 by Paul Nash (d. 1946)

For prints and original paintings: www.artbystevej.com

An abstract colorful painting on paper which I painted in 2001 in oval sapes as look-through. Title 'Together no. 2.' - abstract watercolor art; a gouache painting on paper I painted in 2001. Size of the original art-work on paper is c. 70 x 60 cm. I experienced around 2001 these kind of watercolor paintings for myself as a kind of 'collaging' with several simple forms, but in paint. I tried to push the forms somewhat together in space, to create internal tensions in the image between the individual shapes.

An abstract painting in free and colorful brush strokes, as inspiration for a music composition, made by music composer Lucia Drocchi. A colored watercolour painting on paper I made in 2020; free art image for making an art print or wallpaper, by Fons Heijnbroek, Dutch painter artist.

For prints and original paintings: www.artbystevej.com


An abstract painting in free and colorful brush strokes and lines, as inspiration image for a short music composition, made by music composer Lucia Drocchi. A colored watercolour painting on paper in orange and blue colors, which I made in 2020; free art image for making an art print or wallpaper, by Fons Heijnbroek, Dutch painter artist.

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<h3>Collect What You Love</h3>Collecting art is both an intuitive and thoughtful act. A work may first speak through color, scale, figure, surface, or atmosphere, but the strongest pieces continue to unfold over time. David Haig Alexander’s paintings, drawings, collages, and mixed-media works are made for collectors who value visual presence, conceptual depth, and long-term meaning.Alexander’s work explores identity, memory, perception, truth, technology, and the systems that shape human experience. Individual pieces can stand on their own, while also belonging to larger series that develop across years of studio practice. Figures, symbols, flowers, speech bubbles, stacks, stars, platforms, and algorithmic structures recur throughout the work, creating connections between individual pieces and the broader language of the studio.<h4>Available Works</h4>Available works include paintings, drawings, works on paper, collage-based pieces, mixed-media works, and selected works from ongoing series. Some pieces are bold, colorful, and immediately visual. Others are quieter, more symbolic, or structurally complex.Collectors are encouraged to spend time with the work, follow the connections between series, and consider how a piece might live within a home, office, collection, or architectural space. The right work should hold attention, invite return, and continue to reveal new layers with time.<h4>Collector Guidance</h4>For new collectors, the process can begin with attraction: a color, a figure, a phrase, a mood, or a question that stays with you. From there, the conversation can expand into scale, placement, materials, framing, series context, and long-term significance.For experienced collectors, Alexander’s work offers multiple points of entry into a larger evolving practice. A single painting may act as a visual anchor, while smaller works, studies, drawings, or related pieces can deepen the relationship to a series.Private guidance is available for collectors considering a first acquisition, adding to an existing collection, selecting work for a specific space, or exploring a commission.<h4>Begin a Conversation</h4>Collecting is a relationship with the work, but also with the artist’s larger vision. Studio visits, acquisition inquiries, commissions, and collector conversations are welcome.For acquisition inquiries, studio visits, commissions, or exhibition opportunities, please <a target="" rel="noopener noreferrer nofollow" href="/contact">contact me</a>.

Exploring the Unique Artistry of David Haig Alexander

<h4>David Haig Alexander</h4>Washington, D.C.-based Artist, Educator &amp; Founder, EnoArts<h4>Professional Summary</h4>David Haig Alexander is a Washington, D.C.-based artist, educator, and founder of EnoArts. His work spans painting, drawing, sculpture, collage, mixed media, and interactive art concepts. His practice transforms perception through contemporary myth-making, using recurring motifs and visual systems to explore identity, memory, technology, communication, belief, and the construction of meaning.<h4>EXHIBITIONS</h4>2024: DC Garden Hill Gallery, The District of Columbia Arts Center, Washington, DC 2023: ADMO Art Walk, The District of Columbia Arts Center, Washington, DC 2022: 1460 Wallmountables, The District of Columbia Arts Center, Washington, DC 2021: WSG Image Show, Washington Sculptors Group, Washington, DC 2021: In Between: Phantom Algorithms Joining Worlds, Jo Ann Rose Gallery, Reston, VA 2020: 1460 Wallmountables, The District of Columbia Arts Center, Washington, DC 2020: Artomatic 2.0, Virtual, Washington, DC 2018: The Prologue, Solo Exhibition, Temporary Pop-Up Gallery, Washington, DC 2007: Blacklight Show!!, The Hive Gallery, Los Angeles, CA 2007: One Year Anniversary Exhibit, jFerrari Gallery, Los Angeles, CA 2007: Mixed Feelings Group Exhibit, jFerrari Gallery, Los Angeles, CA 2006: October Group Art Show, The Hive Gallery, Los Angeles, CA 2006: Figure It Out, jFerrari Gallery, Los Angeles, CA 2006: Kindness Connection Peru, jFerrari Gallery, Los Angeles, CA 2006: Gallery Premiere, jFerrari Gallery, Los Angeles, CA 2005: Plural Expression, Lombardo’s Art Studios, Culver City, CA 2005: The MAX, Hangar 1018, Los Angeles, CA 2005: CORE, Infinite Complexity Group, Los Angeles, CA 2005: Sublime, SCA Gallery, Pomona, CA 2005: Waves of Grace, Tsunami Relief Group Exhibit, George J. Doizaki Gallery, Los Angeles, CA 2004: Group Exhibition, Hybrid Gallery, West Hollywood, CA 2004: Art Attacks April, The Black Cat Gallery, Los Angeles, CA 2004: One Year Anniversary, Cannibal Flower at Hangar 1018, Los Angeles, CA 2004: Catapult, The Black Cat Gallery, Los Angeles, CA 2001: Unpublished, Gallery Carlo Alessi, New York, NY 1999: Solo Exhibition, Philadelphia International Institute Gallery, Kraków, Poland 1999: Solo Exhibition, Philadelphia International Institute Gallery, Philadelphia, PA 1999: MFA Solo Exhibition, Temple Gallery, Philadelphia, PA 1998: Graduate Group Exhibition, Tyler Gallery, Elkins Park, PA 1997: Thesis Exhibition, School of the Art Institute of Chicago, Chicago, IL 1997: Nippon Steel Juried Exhibition, Chicago, IL 1996: Nippon Steel Juried Exhibition, Chicago, IL 1996 to 1998: Represented by Gallery Atlantis, Chicago, IL<h4> AWARDS, GRANTS, PUBLICATIONS, AND ACTIVITIES</h4>2025: Private Executive Roundtable, AGENTIC / GovAI Summit 2025, Arlington, VA 2022 to Present: Member, Interaction Design Foundation 2020 to 2024: Member, Washington Sculptors Group 2011: Web Marketing Association WebAward, Hotel and Lodging Standard of Excellence, Marriott Hotel Web Sites 2009: Presenter, UXPA Miami Conference, UX Best Practices 2007: West Coast Rising Star Award, Rapp Collins Worldwide 2004 to 2006: Pharmaka Artists Group Collaboration, Non-Profit Fine Arts Gallery, Los Angeles, CA 1999 to 2006: Member, College Art Association, New York, NY 1999: Published Interview, Teraz, Polish Community Newspaper 1999: Project Completion Grant, Temple University 1998: Dissertation Travel Expense Fund Grant, Temple University 1997: Graduate Assistant in Painting, Temple University 1997: Tuition Remission and Stipend, Temple University 1995: Summer Internship with American sculptor Luis Jiménez, Hondo, NM 1995: Sylvia Halperin Scholarship, School of the Art Institute of Chicago 1994: Dean’s Grant Fund, School of the Art Institute of Chicago 1994 to 1997: Art Institute of Chicago Tuition Scholarship<h4>EDUCATION</h4>Tyler School of Art, Temple University - Philadelphia, PA MFA, Fine Arts, Painting, Drawing, and Sculpture, 1999School of the Art Institute of Chicago - Chicago, IL BFA, Fine Arts, Painting, Drawing, and Sculpture, 1997&nbsp;<h4>PROFESSIONAL EXPERIENCE INFORMING THE WORK</h4>Founder | 2015 to Present EnoArts - Reston, VA / Washington, D.C. regionFounded and leads an artist-led studio and platform for creating, documenting, presenting, and selling artwork.Senior Consultant, Innovation &amp; Experience Design | 2007 to 2014 NavigationArts LLC - McLean, VALed UX and information architecture initiatives for major digital platforms, including Marriott.com. Directed strategic design evolution that contributed to a $350M year-over-year revenue increase and supported brand expansion from 10 to 30 global brands.Product Manager / Senior Interactive Developer / UX and Digital Strategy Roles | 2000 to 2007Sony Pictures Digital, Rapp Collins Worldwide, Alloy Media &amp; Marketing, Toyota Motor Sales, Smithsonian American Art Museum, and other organizationsWorked across digital product development, interactive media, marketing strategy, content systems, audience engagement, and user experience.<h4>Research and Writing</h4>Alexander continues to write and research around user experience, service design, architecture, technology, artificial intelligence, and human-centered systems. His writing extends his long-standing interest in how people move through systems, how environments shape behavior, and how meaning is constructed through interaction.<h4>Workshops, Education, and Studio Programs</h4>David Haig Alexander is available for artist-led workshops, gallery programs, business activations, private instruction, and small group education. Recent workshop development includes programming connected to handmade paper, local materials, public engagement, creative wellness, and accessible art experiences.

Artist CV

I transform perception through contemporary myth-making.My work begins with a question: How do people come to believe what they believe?I am interested in the invisible systems that shape human experience. Stories, images, language, technology, religion, politics, advertising, memory, and art history all influence how we understand ourselves and the world. These systems do not simply reflect reality. They help construct it.I make paintings, drawings, sculptures, collages, and interactive works that examine this process. Rather than illustrating a single idea, I build visual systems where familiar motifs acquire new meanings. Figures, speech bubbles, flowers, stars, platforms, mushrooms, pixelation, stacks, and fragmented narratives appear throughout the work as part of an evolving symbolic language. Their meanings shift depending on context, repetition, material, and relationship to the viewer.My background in painting, drawing, and sculpture gives the work its physical foundation. My experience in information architecture, user experience, and digital strategy informs the way I think about structure, sequence, interaction, attention, and interpretation. In both painting and interface design, meaning is shaped by how a viewer moves through an experience.I work in series because each body of work allows me to build a world. Some works emerge through allegory. Others emerge through abstraction, figuration, language, material experimentation, or repeated structures. The works often develop in parallel, with one painting informing another. Over time, symbols return, change, contradict themselves, and gather new associations.Much of my work is concerned with the instability of perception. I am drawn to moments when certainty breaks down: when a face becomes fragmented, when a flower becomes algorithmic, when a speech bubble becomes a philosophical device, when a platform becomes a belief system, when a surface becomes both image and object.I do not make work to provide answers. I make work to create spaces where uncertainty can be held long enough to become visible. If the work succeeds, viewers leave with a heightened awareness of how images, stories, symbols, and systems shape what they see, what they remember, and what they believe.